There’s been a lot of buzz about this camera, and now it’s here. The Lumix GH5S single lens mirrorless camera has been designed and developed for professional filmmakers, offering what the company claims is the highest-ever image sensitivity and video image quality in the history of Lumix cameras, especially in low-light situations.
But that’s not to say photographers can’t use it / won’t want to use it.
The new 10.2-megapixel Digital MOS Sensor with Dual Native ISO Technology and Venus Engine 10 is said to faithfully reproduce even dark parts of the image, allowing high ISO capture when the use of supplemental lighting may not be possible. This sensor is a multi-aspect type with a sufficient margin for realizing the same angle of view in 4:3,17:9,16:9 and 3:2 aspect ratios. The sensor also enables photo shooting in 14-bit RAW format, providing higher flexibility for professional RAW stills development workflows.
The Dual Native ISO Technology suppresses noise to produce cleaner footage. Both videographers and photographers can now enjoy the same diagonal field of view across all aspect ratios with the True “Multi-Aspect Ratio” Function. This feature means you can easily swap between difference aspect ratios, says Panasonic, giving you the accuracy you want from your lenses, and making the process easier while producing and editing in post-production.
The GH5S is compatible with Time Code IN and OUT – as found in pro camcorders – which is said to be easy to set using the flash sync terminal and bundled conversion cable for a standard BNC terminal. This is especially important for “lip synch” when using multiple cameras.
The GH5S can be used as Time Code generator for other GH5S cameras and professional camcorders. The Time Code IN/OUT functionality provides synchronization for both video and audio devices used on multi-cam productions.
While the GH5 achieves 4KUHD 60p video recording, the GH5S realizes the world’s first 4K 60p video recording in Cinema 4K (4096×2160), capable of internal 4:2:2 10-bit video recording up to Cinema 4K30p and internal 4:2:0 8-bit Cinema 4K60p. This is a colour subsampling commonly used for film production, for even more faithful color reproduction.
The GH5S also records 4:2:2 10-bit 400-Mbps All-Intra in 4K 30p/25p/24p and 200- Mbps All-Intra in Full-HD.
There is no time limit for both Full-HD and 4K video recording. The GH5S complies with 4K HDR video with Hybrid Log Gamma (HLG) mode in Photo Style. A low-bit-rate recording mode – 4K HEVC for HLG – is available. This enables playback on AV equipment compatible with the HLG Display format.
The VFR (Variable Frame Rate) function lets users record overcranked (time-lapse) and undercranked (slo-mo) video in C4K/4K (60 fps, maximum 2.5x slower) and FHD (240 fps, maximum 10x slower). A V-LogL and Rec.709 LUT (Look Up Table) are pre-installed in the camera, so users can play videos recorded in V-LogL without having to separately purchase a Software Upgrade Key. Four additional LUTs can be installed using the Panasonic Varicam (.VLT) file format.
DFD (Depth From Defocus) technology and ultra-high-speed digital signal processing achieve fast auto focusing of approximately 0.07 sec6 with 12 fps (AFS) / 8 fps (AFC) in 12- bit RAW and 10 (AFS) / 7 (AFC) fps in 14-bit RAW high-speed burst shooting. In addition to a total of 225 focus areas, options for Face/Eye Recognition, Tracking AF, 1-area AF and Pinpoint AF are available for precise focusing. The 4K PHOTO enables 60 fps high-speed capture in approximately 8-megapixel equivalent resolution.
The camera boasts -5EV luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. Live Boost is another practical feature that makes it possible to check the composition even in total darkness, by boosting the sensitivity just for Live View. The magnification ratio in MF assist is increased from conventional 10x to 20x, which is convenient especially for astronomical photography. An AF Point Scope function and Night mode are also integrated.
To make the GH5S tough enough to withstand even heavy field use, it is composed of a magnesium alloy full die-cast front, rear and top frame that is not only splashproof and dustproof but also freezeproof down to -10C. The camera is equipped with a double SD Memory Card slot, compatible with UHS-II and Video Speed Class 90. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording. The HDMI Type A terminal is provided, along with the USB-C Gen1 interface.
The GH5S has a large LVF (Live View Finder) with a high magnification ratio of approximately 1.52x/0.76x (35 mm camera equivalent) providing smooth display at 120 fps. A high-precision, high-speed OLED (Organic Light-Emitting Diode) display features 3,680K-dot resolution and 100 percent field of view. In addition to dual dials, an omni-directional joystick enables more intuitive and flexible operation.
The camera includes Bluetooth and Wi-Fi connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. For Wi-Fi, 5 GHz (IEEE802.11ac) can be selected in addition to the conventional 2.4 GHz (IEEE 802.11b/g/n) for an even more secure and stable connection.
For extended battery life and a more stable hold, a new battery grip is available. An XLR Microphone Adaptor allows high-res sound recording with an external XLR microphone.
The Panasonic Lumix GH5s is scheduled to be available by the end of February.
Leica has expanded its APS-C system portfolio with a new camera bearing a name from the past, the Leica CL. (Back in the early ‘70s, Leica and Minolta brought out twin 35 mm rangefinder cameras, the Leica CL and Minolta CLE. Delightful cameras. Now, in a digital era, Leica returns the CL designation.)
One of the features of the Leica CL is its electronic viewfinder with EyeRes technology developed by Leica especially for this camera. With a latency time below the threshold of perception and a resolution of 2.36 million pixels, the final image is visible in the viewfinder before the shutter release is pressed.
In combination with the 24-megapixel APS-C format sensor, a Maestro II series processor and fast autofocus with 49 metering points care claimed to guarantee maximum picture quality in all photographic situations. Video is up to 4K at 30 frames per second.
The CL also equipped with an integrated Wi-Fi module. Pictures and videos can be sent by a wireless connection to smartphones, tablets or computers and quickly and easily shared using the Leica CL App for iOS or Android. In addition to this, the remote function of the app lets mobile devices be used as an off-camera viewfinder or for altering exposure parameters – for example when shooting with the self-timer function or from unusual angles.
All essential controls are located on its top plate. In addition to the electronic viewfinder, there are two dials for setting the aperture, shutter speed, ISO, and exposure compensation. Leica says everything is so conveniently located that photographs can be made without taking the camera from the eye. An additional display on the top plate provides information about all relevant settings and exposure parameters.
The camera accepts all TL lenses. SL lenses can also be used without an adapter on the CL and the TL2. Appropriate adapters are also available for using Leica M and R lenses.
Also new, and seen in the photo above, is the Elmarit-TL 18 mm f/2.8 ASPH. lens. This is available not only in black, but also in a silver anodised version.
The black version of the Leica CL will be available at the end of November.
The newest flagship camera in Panasonic’s Lumix line is the G9. Evolving from the GH5, the G9 is said to achieve the highest-ever image quality in photo shooting by elevating resolution, gradation and colour reproduction with its 20.3-megapixel Digital Live MOS Sensor without low-pass filter. A High Resolution mode is also added that provides 80-megapixel equivalent images in JPEG /RAW formats in the camera. The Venus Engine image processor renders high-precision yet natural images with its Multipixel Luminance Generation and Intelligent Detail Processing, says the company.
The Body I.S. (image stabilizer) in the G9 apparently is dramatically improved, making it possible to use 6.5-stop slower shutter speeds. This is achieved by a more accurate calculation of shake in various shooting conditions, utilizing information of angular velocity and motion vector acquired not only from the gyro-sensor but also from the image sensor and accelerometer sensor.
Combining B.I.S. (Body Image Stabilizer, 5-axis) and O.I.S. (Optical Image Stabilizer, 2-axis), the 5-axis Dual I.S. 2 in the camera compensates for larger movements that had been uncontrollable.
The 5-axis Dual I.S. 2 works for both photo and motion picture recording, including 4K video.
The high-speed, high-precision AF with Depth from Defocus (DFD) technology is claimed to be the world’s fastest, with AF speed of 0.04 sec, which is said to be the fastest in the industry.
The G9 also boasts the fastest-in-class 20 fps (AFC) / 60 fps (AFS) in 20.3-megapixel full resolution.
The G9 also has the largest-in-class LVF (Live View Finder), says Panasonic, and no blackouts occur even in high-speed burst shooting. Night mode and an AF Point Scope function are also integrated.
Adoption of OLED for the LVF achieves smooth display at 120 fps and high speed response with minimum lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility, notes Panasonic.
To withstand heavy field use, the camera is constructed of a magnesium alloy full die-cast front / rear frame and is not only splash proof and dustproof but also freezeproof down to -10C. Panasonic also points to what is says is the largest-in-class Status LCD on the top. The rear monitor is a 3.0-inch free-angle LCD in 3:2 aspect. The G9 has a double SD Memory Card slot, compatible with UHS-II.
The G9 includes Bluetooth and Wi-Fi connectivity. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone or tablet with minimum power consumption. For Wi-Fi, 5GHz (IEEE802.11ac) can be selected in addition to the conventional 2.4GHz (IEEE 802.11b/g/n) for an even more secure and stable connection.
The Panasonic Lumix G9 will be available in January.
Sony’s full-frame mirrorless alpha 7R III combines a 42.4-megapixel back-illuminated Exmor R CMOS image sensor with shooting speeds of up to 10 fps with full AF/AE tracking, and 4K video quality, 15-stop dynamic range, and high sensitivity with noise reduction of almost a full stop.
The image sensor utilizes a gapless on-chip lens design and AR (anti-reflective) coating on the surface of the sensor’s seal glass to dramatically improve light collection efficiency, according to the company, resulting in high sensitivity with low-noise performance and wide dynamic range.
The camera also features a new front-end LSI that effectively doubles the readout speed of the image sensor, as well as an updated BIONZ X processing-engine that boosts processing speed by approximately 1.8 times compared to the 7R II. These components work together to allow the camera to shoot at faster speeds while also enabling an ISO range of 100 – 32000 (expandable to ISO 50 – 102400 for still images) and 15-stop dynamic range at low sensitivity settings.
The camera is built without an optical low pass filter to maximize resolution, while also having the ability to output 14 bit RAW format even when shooting in silent or continuous mode. The camera is equipped with a 5-axis optical image stabilization system, resulting in a 5.5-step shutter speed advantage.
There is also a new low-vibration shutter that is said to reduce vibration and image blur in all modes, including 10 fps, as well as several advancements in accurate colour reproductions of skin tones.
The camera’s image processing system allows it to shoot full 42.4-megapixel images at up to 10 fps with continuous AF/AE tracking for up to 76 JPEG / RAW images or 28 uncompressed RAW images. This high speed 10 fps mode is available with either a mechanical shutter or completely silent shooting. The camera can also shoot continuously at up to 8 fps in live view mode with minimal lag in the viewfinder or LCD screen.
While large groups of burst images are being written to the memory card, many of the cameras key functions are operable, including access to the ‘Fn’ (Function) and ‘Menu’ buttons, image playback and several other menus and parameters including image rating and other functions that facilitate on-location image sorting.
Additionally, if there is fluorescent or artificial lighting present in a shooting environment, users can activate the Anti-flicker function to allow the 7R III to automatically detect frequency of the lighting and time the shutter to minimize its effect on images being captured. This minimizes any exposure or colour anomalies that can sometimes occur at the top and bottom of images shot at high shutter speeds.
The upgraded focusing system of the camera is comprised of 399 focal-plane phase-detection AF points that cover approximately 68 percent of the image area in both the horizontal and vertical directions. There are also 425 contrast AF points, an increase of 400 points compared to the 7R II. This delivers AF acquisition in about half the time as the 7R II in low-light conditions, says Sony, with tracking that is approximately two times more accurate as well.
The Eye AF feature is also approximately twice as effective, and is available when utilizing Sony’s A-mount lenses with an adapter.
Additional improvements in focusing flexibility include AF availability in Focus Magnifier mode, focal-plane phase-detection AF support when using A-mount lenses, an ‘AF On’ button, a multi-selector or ‘joystick’ for moving focusing points quickly, as well as flexible touch focus functionality.
The 7R III offers 4K (3840 × 2160 pixels) video recording across the full width of the full-frame image sensor. When shooting in Super 35 mm format, the camera uses full pixel readout without pixel binning to collect 5K of information, oversampling it to produce high quality 4K footage with exceptional detail and depth, notes the company.
A new HLG (Hybrid Log-Gamma) is available on the 7R III that supports an Instant HDR workflow, allowing HDR (HLG) compatible TVs to playback 4K HDR imagery. Further, both S-Log2 and S-Log3 are available for increased colour grading flexibility. The camera can also record Full HD at 120 fps at up to 100 Mbps, allowing footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD resolution with AF tracking.
The cameras also offers dual media slots, with support in one slot for UHS-II type SD memory cards. Users have a variety of options for storing their content, including separate JPEG / RAW recording, separate still image / movie recording, relay recording and more.
Battery life apparently has been extended as well, as the new camera utilizes Sony’s Z series battery that has approximately 2.2 times the capacity of the W series battery utilized in the 7R II.
The 7R III features an upgraded high-resolution, high-luminance Quad-VGA OLED Tru-Finder. The finder, also found in the Sony alpha 9 camera, utilizes a Zeiss T* Coating to greatly reduce reflections, and has a fluorine coating on the outer lens that repels dirt. It also has a customizable frame rate, with options of either 60 fps or 120 fps to best match the action. The LCD screen has been upgraded as well, with WhiteMagic technology that is said to improve viewing in bright, outdoor conditions. “Standard” or “High” display quality settings are also available for both the viewfinder and monitor as well. “High” takes advantage of the large amount of data read from the sensor to provide extra fine viewfinder and monitor displays for a more natural view. The new camera also offers a multi-selector joystick that provides a fast, efficient way to shift focus points, as well as an ‘AF ON’ button to activate autofocus when shooting stills or movies.
The 7R III allows for transfer of files to a smartphone, tablet, computer or FTP server via Wi-Fi, while also including a sync terminal, enabling external flash units and cables to be connected directly for flash sync. A SuperSpeed USB (USB 3.1 Gen 1) USB Type-C Terminal is also available for increased flexibility in power supply or connected accessories, as well as a faster image transfer speed when connected to a PC.
New with the 7R III is a software suite called “Imaging Edge” that is calimed to extend the creative capabilities of the entire shooting process – from pre-processing to post-processing. Imaging Edge provides three PC applications called ‘Remote’, ‘Viewer’ and ‘Edit’, available for free download, which support live-view PC remote shooting and RAW development.
Also making its debut is a new Pixel Shift Multi Shooting mode, which takes advantage of the 5-axis optical in-body stabilization to create super-high resolution composite images. In this mode, the camera precisely shifts the sensor in 1-pixel increments to capture four separate pixel-shifted images containing a total of approximately 169.6-megapixels of image data. These four images can be composited and processed utilizing the Imaging Edge software. This ultimately results in a still image with what Sony calls “overwhelming” resolution and an unprecedented level of colour accuracy, and is claimed to be ideal for photographing architecture, art or any other still life photography subject with many intricate details and colours.
The Sony alpha 7R III will ship in November for about $4,000.
The new flagship addition to the G-series of premium compact cameras, the Canon PowerShot G1 X Mark III features a 24.3-megapixel APS-C CMOS sensor and Canon’s Dual Pixel CMOS AF (Auto-Focus) technology.
Canon says the new model offers “dramatic improvements” from the series’ previous flagship, noting the sensor delivers “fantastic” image quality in both stills and video. This upgrade pairs with a 24-72 mm equivalent lens with Optical Image Stabilization delivering maximum brightness and increased sharpness in images and an ISO range of 100-25,600.
The Dual Pixel CMOS AF system provides extremely fast and smooth autofocus capabilities across nearly the entire focal plane, says the company.
The camera is dust and water resistant.
It has a 2.36 million dot Organic LED electronic viewfinder; Touch & Drag AF linking the viewfinder and touch panel monitor to quickly adjust focus targeting without looking away from the viewfinder, or using Smooth Zone AF to track subjects with the touch of a finger.
The camera also has a 3.0-inch Vari-angle Touch LCD Monitor.
The new model is capable of fast continuous shooting up to approximately 7 frames per second (fps), or up to 9 fps with AF fixed, working with Dual Pixel CMOS AF.
A new shutter release function is said to offer a sophisticated sense of operation, similar to high-end EOS models, providing a comfortable hold during continuous shooting.
You can connect to a smart device via built-in Wi-Fi, NFC or Bluetooth to facilitate easy sharing or utilize the Camera Connect app to shoot remotely.
Panoramic Shot Mode allows users to capture panoramic photos, simply be swinging the camera while shooting either vertically or horizontally.
The camera offers Full HD 1080/60p video with high ISO speed shooting and smooth accurate focus when used alongside Canon’s Dual Pixel AF technology, while 5-axis movie IS helps reduce the effect of camera shake when shooting handheld.
You can capture Time-Lapse Movies with intuitive settings that help determine intervals and exposure.
The Canon PowerShot G1 X Mark III is scheduled to be available in November for an estimated retail price of $1599.99.
Sony has a new flagship model in its Cyber-shot RX10 series, the RX10 IV. The company says it features the world’s fastest AF acquisition time of 0.03 seconds and up to 24 fps continuous shooting with full AF/AE tracking, 315 phase-detection AF points and a whopper of a lens: 24-600 mm (equivalent) f/2.4-F4 Zeiss Vario-Sonnar T*.
The camera is equipped with a 1.0-inch, 20.1-megapixel Exmor RS CMOS stacked image sensor with DRAM chip along with a BIONZ X image processor and front-end LSI. These key components all work together, says Sony, to maximize overall speed of operation and performance.
A first for the RX10 series, the new model features a Fast Hybrid AF system that combines the respective advantages of 315 phase-detection AF points covering approximately 65 percent of the sensor and contrast-detection AF to ultimately enable the camera to lock focus in as little as 0.03 seconds. Additionally, for the first time in a Cyber-shot camera, the RX10 IV employs High-density Tracking AF technology, previously available only in a select few of Sony’s alpha interchangeable lens cameras. This tech concentrates AF points around a subject to improve tracking and focus accuracy.
Other AF improvements include an enhanced version of the Eye AF, Touch Focus and Focus Range Limiter. AF-ON setting is also assignable, as well as multiple AF modes including AF-S, AF-C and AF-A, which can be easily adjusted based on user preferences and shooting situations.
The camera offers continuous high-speed shooting at up to 24 fps with full AF/AE tracking, with buffer limit of up to 249 images. EVF display lag during continuous shooting has been substantially reduced, suggests Sony. Also, for convenience during image playback, continuously shot images can be displayed in groups instead of individual shots.
The camera also has a high speed Anti-Distortion Shutter (maximum shutter speed of up to 1/32000 second) that reduces the “rolling shutter” effect commonly experienced with fast moving subjects, and can shoot completely silently in all modes, including continuous high speed shooting, when electronic shutter is engaged. A mechanical shutter mode is also available as well.
Sony says the camera’s lens helps achieve outstanding image quality throughout the entire zoom range. It includes a super ED (extra-low dispersion) glass element and ED aspherical lenses to minimize chromatic aberration, and Zeiss T* Coating to minimize flare and ghosting.
The lens also has built-in Optical SteadyShot image stabilization. When the feature is activated, it is equivalent to an approximate 4.5 steps shutter speed improvement.
Additionally, with a minimum focusing distance of 72 cm (2.36 ft) and 0.49x maximum magnification at a fully extended 600 mm, the lens is capable of producing amazingly detailed tele-macro images, says Sony.
The new model offers 4K (QFHD 3840 x 2160) movie recording, with its Fast Hybrid AF system realizing about 2x faster focusing speed compared to the RX10 III.
In 4K mode, the new camera utilizes full pixel readout without pixel binning, capturing approximately 1.7x more information than is required for 4K movie output to ensure that all the finest details are captured accurately. The camera utilizes the XAVC S codec, recording video at a high data rate of up to 100 Mbps depending on shooting mode. Users have the option of shooting at either 24p or 30p in 4K mode (100 Mbps), or in frame rates of up to 120p in Full HD mode.
The new camera also has a variety of other pro calibre video features including Picture Profile, S-Log3/S-Gamut3, Gamma Display Assist, Proxy recording, Time Code / User Bit and more, as well as input for external microphone and output for headphone monitoring.
Super slow motion video recording is also available, with an extended duration of about 4 seconds (in quality priority mode) and 7 seconds (in shoot time priority). This feature gives users the ability to choose among 960 fps, 480 fps and 240 fps frame rates and among 60p, 30p and 24p playback formats.
The RX10 IV features Sony’s latest 3.0-inch tiltable LCD screen with Touch Focus and Touch Pad function – another first for Cyber-shot RX series – for quick and smooth focusing operation, and WhiteMagic technology, ensuring that LCD viewing is bright and clear in even the harshest outdoor lighting conditions. Additionally, it is equipped with a high resolution, high-contrast XGA OLED Tru-Finder, ensuring true-to-life image preview and playback functionality, Sony suggests Triple lens rings for aperture, zoom and focus are also available, with a completely quiet, smooth option for the aperture ring that is ideal for video shooters.
To enhance customization, “My Menu” functionality has been added, allowing up to 30 frequently used menu items to be custom registered. Menus are colour coded for easier recognition and navigation, and a new Movie Settings menu has been introduced to improve the overall video shooting experience.
The camera is also dust and moisture resistant, and Wi-Fi, NFC and Bluetooth compatible.
The Sony Cyber-shot RX10 IV camera will ship in October for about $2,200.
Fujifilm says its new X-E3 rangefinder style mirrorless digital camera offers outstanding image quality and enhanced handling. The camera features the 24.3-megapixel X-Trans CMOS III image sensor and the X-Processor Pro high-speed image processing engine, along with a new image recognition algorithm.
The X-E3 also features a large phase detection autofocus (AF) area and provides enhanced tracking performance for moving subjects. Equipped with a newly developed image recognition algorithm, the X-E3 is able to track moving subjects half the size, or moving twice as fast as previous models.
The camera supports both Full HD and 4K video recording. Videos can be shot with Film Simulations in-camera.
High-speed response times include a start-up time of just 0.4 seconds, shooting interval of 0.25 seconds, shutter time lag of 0.05 seconds and autofocus speed as fast as 0.06 seconds.
This is the first X Series model to feature Bluetooth low energy wireless communication. This feature offers the ability to pair the camera with a smartphone or tablet for easy transfer of pictures via the free Fujifilm Camera Remote application.
The X-E3 features a high-resolution 3.0 inch static touchscreen LCD monitor. The touchscreen can be used to select the focus area, or focus on a specific point before taking a picture. For playback, users can swipe or scroll through images, double-tap to enlarge, drag an image once enlarged, along with pinch-out and pinch-in sizing. A new Touch Function feature lets users create customized camera functions by swiping left, right, up and down on the touchscreen panel.
The company says the X-E3 is the most compact and lightweight model with a viewfinder within the X Series interchangeable lens camera range. The camera also features a Focus Lever positioned on the rear side of the camera that allows photographers to use joystick-type operations in eight directions to easily select a focus area.
The top plate features two precision-milled aluminum dials, giving the camera a premium feel and allowing users to easily adjust the shutter speed and exposure compensation while maintaining focus while taking a picture. The Exposure Compensation Dial now has the C position for exposure compensation up to ±5 stops. The X-E3 is also equipped with an Auto mode selector lever for selecting the fully-automatic Advanced SR Auto mode where the camera can automatically select the optimum settings for a given scene.
4K video can be recorded at [3840 x 2160] 29.97p, 25p, 24p, 23.98P, 100Mbps; continuous recording is up to approximately 10 minutes. Full HD video can be recorded at 59.94 fps, 50 fps, 29.97 fps, 25 fps, 24 fps and 23.98 fps, and with Film Simulation effects.
Video can be outputted to an external monitor via the HDMI port and input audio from an external microphone.
The Fujifilm X-E3 will be available in three versions in late September: body only, black or silver; body with XF 18-55 mm lens kit, black or silver; and body with XF 23 mm f/2 R WR lens kit, black or silver.
Olympus’ new OM-D E-M10 Mark III is a compact, lightweight, easy-to-use interchangeable lens camera aimed at the snapshooter looking to expand his/her photography. The camera includes image stabilization compensation and the same TruePic VIII Image Processor used in the flagship OM-D E-M1 Mark II.
The 5-Axis Image Stabilization system – for both stills and 4K video – is built into the camera body, which also features a high-resolution electronic viewfinder, a tilting rear LCD monitor with touch controls similar to a smartphone, and a built-in flash.
The intelligent AUTO Mode detects the shooting scene, subject, camera movement and light transmitted through the lens, then automatically chooses the optimal settings. The other assist modes include Scene Mode (SCN), Advanced Photo Mode (AP), and Art Filter Mode (ART), each of which appear on the mode dial alongside AUTO Mode for easy access. In Scene Mode, users can touch one of six shooting environments, each displayed on the LCD monitor. Advanced Photo Mode offers nighttime Live Composite and Multiple Exposure. Bleach Bypass is a new filter in Art Filter Mode that reproduces the silver retention method used when developing film. Type I produces a glossy look, like shining silver metal, and Type II produces a nostalgic look reminiscent of old film.
The Touch AF shutter, which now takes advantage of 121 autofocus points, allows users to choose the precise area of focus and trip the shutter simply by touching the LCD screen. Continuous AF (C-AF) Mode maintains focus on moving subjects when the shutter is pressed halfway. The camera is equipped with Face Priority AF and Eye Priority AF to ensure sharp focusing on the face or eyes of the person closest to the camera. Also available is C-AF for continuous focusing on moving subjects, and up to 8.6 frames per second high-speed sequential shooting.
The Mark III is equipped with built-in Wi-Fi, which can be used in conjunction with the Olympus Image Share (OI.Share) app to connect to a smart device and wirelessly transfer images for quick editing and uploading to social media.
The new Shortcut Button on the left-hand side of the camera instantly displays the setting menu most relevant to the current shooting mode so that users can quickly change settings. For example, users can press the Shortcut Button while shooting in Scene Mode to quickly switch to another shooting environment.
Settings are assigned to the four arrow pad buttons on the back of the camera, including ISO, flash, drive and focus settings, which can be activated with the press of the corresponding icon. Two customizable function buttons can be programmed with one of 11 different functions, such as Digital Tele-Converter for instant activation with one button press. Two dials on the upper section of the body can be used to change settings and make adjustments on the fly.
The Olympus OM-D E-M10 Mark III will be available in a black and silver body or black body beginning in late September with an estimated street price of $799.99 (body only) and $999.99 (M.Zuiko 14-42 mm EZ Lens kit).
The M100 sports a 24.2-megapixel APS-C CMOS sensor and the Canon DIGIC 7 processor, plus Dual Pixel CMOS AF, which enables high-speed focusing.
The camera also offers Wi-Fi, Near Field Communication (NFC) and Bluetooth, allowing for live-view remote shooting and the viewing and transferring of images to a compatible smart device, via the Canon Camera Connect app. Images and video can be uploaded to a compatible device for easy sharing to select social media networks. Once connected through Bluetooth, the M100 can also work with a compatible smartphone’s GPS function to provide a geo-tagged log of where every photo was taken.
The camera features a revamped and simple touch user interface that makes it easy for users to change settings, adjust modes and even focus on their subject. The 3.0-inch LCD touch-panel display also offers tilt functionality. Users can also use touch focus and Dual Pixel CMOS AF to smoothly transition focus between subjects with the touch of a finger.
Users will also discover a newly designed and intuitive touch interface that makes it easy to choose settings and focus shots, while beginners can learn and improve on their photography using Canon’s Creative Assist function, an intuitive setting that allows users to execute their creative vision, even without an “expert level” of camera knowledge. To make a scene brighter or blur backgrounds, users simply select their desired change within the Creative Assist menu, and the camera will automatically make corresponding setting adjustments, available immediately in live view. Preferred settings can be saved for next time, while those using the mode will begin to learn more advanced camera techniques to further pursue their creative vision—beyond just Auto Mode.
The M100 is slimmer and lighter than other M-Series offerings. There are two body colour options: white or black.
There are seven EF-M lenses, plus those with Canon’s EF lenses can use the EF-EOS M Mount Adapter (sold separately) to connect them to the camera.
Video Mode delivers Full HD 1080/60p video or time-lapse movies with the push of a button (or use Hybrid Auto to pull still frames from HD video recordings.
Continuous Shooting offers up to 4 frames-per-second (fps) continuous shooting; up to 6.1 with fixed AF.
ISO range is 100–25,600.
In-Camera RAW conversion is available.
Self-Portrait Mode is via the 180-degree tilt of the LCD screen; adjust brightness, focus and use Smooth Skin function.
HDR Backlight Control: shoot three images with different exposures.
Creative filters include Grainy Film, Art Bold, Fish-eye Effect.
The Canon EOS M100 is scheduled to be available in October. for an estimated retail price of $779.99 with the EF-M 15-45 mm f/3.5-6.3 IS STM lens.
The Nikon D850 is a full-frame DSLR camera featuring a 45.7-megapixel back-side Illuminated (BSI) CMOS sensor. The camera delivers what Nikon proudly says is “majestic” image quality, in both stills and full-frame 4K UHD video. Despite this resolution, the D850 is capable of a capture rate of up to 7 frames-per-second (fps) (9 fps with optional battery grip and EN-EL18a/b battery).
The company says the sensor approaches medium format-level resolution and forgoes an optical low pass filter (OLPF), delivering “fantastic” fidelity, tonality and clarity. The BSI CMOS sensor captures light more efficiently, resulting in wider dynamic range and low-noise image capture.
The D850 will buffer approximately 51 frames of 14-bit lossless RAW capture / 170 frames of 12-bit lossless).
ISO range is 64 – 25,600 (expandable down to ISO 32, up to 102,400).
The EXPEED 5 image processing engine is Nikon’s most powerful yet, allowing for fast data readout and swift image processing pipeline, enabling high speed shooting, full-frame 4K UHD video capture and maximum power efficiency for longer battery life.
A tilting LCD touchscreen is 3.2-in.
The D850 offers the ability to operate with an electronic shutter in Live View. When in this mode, users can shoot in complete silence, for sensitive events. The electronic shutter operates at up to 6 fps (AF/AE locked), while an additional mode enables 8.6-megapixel JPEG capture at up to 30 fps (images are recorded with a 1.5x DX crop).
Like the D5 and D500, the D850 also has the ability to take advantage of long range wireless lighting using radio frequency and the optional SB-5000 Speedlight and WR-A10 and WR-R10.
Users can choose from three sizes of RAW files to enhance workflow, including Large (45.7-MP), Medium (25.6-MP) and Small (11.4-MP). Additionally, the D850 lets users batch process multiple RAW files in camera.
Nikon says you can get up to 1,840 shots at full resolution or approximately 70 minutes of video on a single charge, or, with the optional battery grip, up to 5,140 shots (CIPA standard).
Focus Stacking is also part of the package. The Focus Shift Photography feature is high resolution meets high magnification. For landscape photographers to maximize depth of field, this feature lets the user shoot up to 300 shots at adjustable focus step intervals to infinity to be easily assembled using third-party software.
Negative/Positive Scanning: With the optional ES-2 Film Digitizing Adapter and compatible Micro-Nikkor lens, the camera enables super high-resolution digitizing of 35 mm slides or negatives and converts them in-camera to positives.
Photographers can choose from five formats, including FX-format, 1.2x, DX, 5:4, or 1:1 square with viewfinder shading.
Wi-Fi and Bluetooth connectivity are built in. Users can send images to their phones through an always-on Bluetooth Low Energy (BLE) connection, or through Wi-Fi. Nikon SnapBridge also gives the ability for remote capture and preview.
The camera sports Nikon’s widest and brightest optical viewfinder. The 0.75X viewfinder magnification is the highest ever for a Nikon DSLR, and offers a wide and bright view of the frame.
The D850 features dual memory card slots – XQD for high-speed capture and transfer, as well as easily available SD media.
Buttons that light up at the turn of a dial increase visibility when shooting at night or in low-light scenarios.
The camera offers Full-frame 4K UHD at 24/30 fps. The sensor enables 4K UHD output at a full-frame width at 16:9. Creators can also capture Full HD 1080P at up to 120 fps (4x or 5x) for slow motion video.
When shooting Full HD or in live view for stills, focus peaking can be enabled which highlights in-focus subjects in the frame to ensure sharpness.
Users can create 4K time-lapse videos easily in camera, or can use the built in intervalometer to capture images for an ultra-high resolution 8K time lapse for those who want the ultimate in video quality.
The D850 now lets you adjust the level of brightness, to be indicated between 180-255 depending on your needs. What’s more, the zebra patterns come in two varieties, selectable according to the patterns and textures of your subjects.
Using HDMI, users can record uncompressed footage directly to a digital recorder, while simultaneously recording to a card.
The D850 features an onboard stereo microphone, as well as inputs for headphones and microphones. The camera also features a new audio attenuator to regulate sound levels.
The Nikon D850 will have a manufacturer’s suggested retail price (MSRP) of $4,399.95 and will be available in September. The MB-D18 Multi Power Battery Pack will have an MSRP of $529.95, while the ES-2 film digitalizing adapter will have an MSRP of $199.95.