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Tilt-Shift lenses offer enhanced creative control over perspective through the tilt function and depth-of-field through the shift function in their images.
Enhanced optical elements like molded aspherical glass and UD lenses are at the core of the new lenses, providing edge-to-edge resolution, improved image quality over previous Canon TS-E lenses and minimum distortion, says the company. Canon also included two anti-reflective coatings, SubWaveLength Structure Coating (SWC) in the T50 mm and 135 mm lenses. and Air-Sphere Coating (ASC) in the 50 mm and 90 mm lenses. SWC helps reduce flare and ghosting, while ASC is a new technology that is said to provide amazingly high, anti-reflective performance, particularly when alleviating incidental light that can enter a lens.
The new tilt-shift lenses also offer improved operability over previous models, including larger tilt, shift-and-lock knobs, lock-release button and a new tilt-locking mechanism that firmly locks the lens in the zero-tilt position to help prevent unintended tilting. The rotation of the tilt-shift lenses also allows users to freely change the axis of tilt movement and shift from right angles to parallel to better adapt to various shooting conditions and situations.
The Canon TS-E 50 mm f/2.8L Macro lens, TS-E 90 mm f/2.8L Macro lens and TS-E 135 mm f/4L Macro lenses are scheduled to be available November.
The Nikon D850 is a full-frame DSLR camera featuring a 45.7-megapixel back-side Illuminated (BSI) CMOS sensor. The camera delivers what Nikon proudly says is “majestic” image quality, in both stills and full-frame 4K UHD video. Despite this resolution, the D850 is capable of a capture rate of up to 7 frames-per-second (fps) (9 fps with optional battery grip and EN-EL18a/b battery).
The company says the sensor approaches medium format-level resolution and forgoes an optical low pass filter (OLPF), delivering “fantastic” fidelity, tonality and clarity. The BSI CMOS sensor captures light more efficiently, resulting in wider dynamic range and low-noise image capture.
The D850 will buffer approximately 51 frames of 14-bit lossless RAW capture / 170 frames of 12-bit lossless).
ISO range is 64 – 25,600 (expandable down to ISO 32, up to 102,400).
The EXPEED 5 image processing engine is Nikon’s most powerful yet, allowing for fast data readout and swift image processing pipeline, enabling high speed shooting, full-frame 4K UHD video capture and maximum power efficiency for longer battery life.
A tilting LCD touchscreen is 3.2-in.
The D850 offers the ability to operate with an electronic shutter in Live View. When in this mode, users can shoot in complete silence, for sensitive events. The electronic shutter operates at up to 6 fps (AF/AE locked), while an additional mode enables 8.6-megapixel JPEG capture at up to 30 fps (images are recorded with a 1.5x DX crop).
Like the D5 and D500, the D850 also has the ability to take advantage of long range wireless lighting using radio frequency and the optional SB-5000 Speedlight and WR-A10 and WR-R10.
Users can choose from three sizes of RAW files to enhance workflow, including Large (45.7-MP), Medium (25.6-MP) and Small (11.4-MP). Additionally, the D850 lets users batch process multiple RAW files in camera.
Nikon says you can get up to 1,840 shots at full resolution or approximately 70 minutes of video on a single charge, or, with the optional battery grip, up to 5,140 shots (CIPA standard).
Focus Stacking is also part of the package. The Focus Shift Photography feature is high resolution meets high magnification. For landscape photographers to maximize depth of field, this feature lets the user shoot up to 300 shots at adjustable focus step intervals to infinity to be easily assembled using third-party software.
Negative/Positive Scanning: With the optional ES-2 Film Digitizing Adapter and compatible Micro-Nikkor lens, the camera enables super high-resolution digitizing of 35 mm slides or negatives and converts them in-camera to positives.
Photographers can choose from five formats, including FX-format, 1.2x, DX, 5:4, or 1:1 square with viewfinder shading.
Wi-Fi and Bluetooth connectivity are built in. Users can send images to their phones through an always-on Bluetooth Low Energy (BLE) connection, or through Wi-Fi. Nikon SnapBridge also gives the ability for remote capture and preview.
The camera sports Nikon’s widest and brightest optical viewfinder. The 0.75X viewfinder magnification is the highest ever for a Nikon DSLR, and offers a wide and bright view of the frame.
The D850 features dual memory card slots – XQD for high-speed capture and transfer, as well as easily available SD media.
Buttons that light up at the turn of a dial increase visibility when shooting at night or in low-light scenarios.
The camera offers Full-frame 4K UHD at 24/30 fps. The sensor enables 4K UHD output at a full-frame width at 16:9. Creators can also capture Full HD 1080P at up to 120 fps (4x or 5x) for slow motion video.
When shooting Full HD or in live view for stills, focus peaking can be enabled which highlights in-focus subjects in the frame to ensure sharpness.
Users can create 4K time-lapse videos easily in camera, or can use the built in intervalometer to capture images for an ultra-high resolution 8K time lapse for those who want the ultimate in video quality.
The D850 now lets you adjust the level of brightness, to be indicated between 180-255 depending on your needs. What’s more, the zebra patterns come in two varieties, selectable according to the patterns and textures of your subjects.
Using HDMI, users can record uncompressed footage directly to a digital recorder, while simultaneously recording to a card.
The D850 features an onboard stereo microphone, as well as inputs for headphones and microphones. The camera also features a new audio attenuator to regulate sound levels.
The Nikon D850 will have a manufacturer’s suggested retail price (MSRP) of $4,399.95 and will be available in September. The MB-D18 Multi Power Battery Pack will have an MSRP of $529.95, while the ES-2 film digitalizing adapter will have an MSRP of $199.95.
Nikon has upgraded its 70-300 mm full-frame lens with the AF-P Nikkor 70-300 mm f/4.5-5.6E ED VR. The new lens offers enhanced Vibration Reduction (VR) image stabilization capability and integrates a stepping motor for fast and quiet AF performance, making it Nikon’s first full-frame AF-P lens.
Interestingly, the new version of the lens is lighter than its predecessor.
The new lens provides up to 4.5 stops of VR stabilization, for sharper photos and smoother video. Users can choose from either Normal or Sport VR Modes.
The stepping motor is said to deliver fast and quiet autofocus, reducing the sound of lens operation while recording HD or 4K UHD video. This new technology also contributes to the lens’ reduced weight.
The Electronic Diaphragm not only provides smooth exposure transitions during video capture, but also helps maintain consistent exposure during high-speed shooting, such as when photographing sports.
The lens features a minimum focus distance of 3.94 ft. (1.2 m) and a reproduction ratio of 0.25x.
The lens also features dust and drip resistance, along with a metal lens mount for durability. It features a 9-blade diaphragm for a natural, circular bokeh. The lens also features an ED element to significantly reduce instances of chromatic aberration.
UPDATE: The AF-P Nikkor 70-300 mm f/4.5-5.6E ED VR will have a suggested retail price (MSRP) of $1,029.95; Canadian availability is to be announced.
The TL2 is equipped with a newly developed, 24-megapixel CMOS sensor in APS-C format that, in combination with an equally new Maestro II series high-performance image processor, are said to guarantee outstanding picture quality with impressive dynamic range, excellent contrast and colour rendition, exceptional sharpness and finest resolution of details.
The camera also offers various video recording modes, such as 4K (3840 x 2160p at 30 frames per second), full HD (1920 x 1080p at 60 frames per second), HD (1280 x 720p at 60 frames per second or slow motion [SLOMO] captured at 120 frames per second).
The TL2 is said to offer “enormously improved” AF speed and precision. For instance, the camera focuses sharply on subjects in around only 165 milliseconds, and thus focuses up to three times faster than the previous model. The new image processor not only plays a significant role in its faster autofocus, but also to the considerably shorter start-up time. Another new development is an electronically controlled shutter that enables silent exposures at shutter speeds up to 1/40,000 sec. and an increase in the continuous shooting rate from 7 to a maximum of 20 frames per second.
Thanks to the integrated Wi-Fi module of the TL2 and the function for setting up a mobile hotspot, pictures and video can be conveniently transferred by wireless to smartphones, tablets and desktop PCs from anywhere and then, for example, be shared by email, on Facebook, Instagram or other social media. Data can also be transferred by cable with the camera’s integrated HDMI and USB 3.0 ports. The USB port also enables recharging without a battery charger – for example from a laptop computer or an external power bank.
With the TL App available for both iOS and Android devices, smartphones or tablets become electronic viewfinders and offer remote control of various exposure-relevant parameters such as the shutter speed and aperture. The TL App also makes it much easier to capture photos and video from unusual angles, with a self-timer or with longer shutter speeds.
By grouping menu items according to related functions, the menu of the TL2 is now more clearly and logically structured and makes camera handling easier and even more intuitive than before. With the MyCamera menu, the user interface can be further personalized to meet the photographer’s preferences or particular needs.
Thanks to significantly increased reactivity and up to eight times faster response when using the 3.7-inch LCD touchscreen, camera handling is said to be even more efficient and intuitive. The only other controls are four ergonomically positioned control elements that are intuitive in their operation.
The TL2 will be offered in a choice of two different colours. The design of both the silver and black versions of the camera has been slightly revised in comparison with its predecessor. In addition to chamfered edges the body also features redesigned control elements that have been modified not only in visual style, but also provides what Leica terms “a new haptic experience” – great for those of us who get our jollies touching things.
A 24-70 mm lens offers probably one of the most versatile zoom ranges, a put-it-on-the-camera-and-leave-it range. So here comes Tamron with its new SP 24-70 mm f/2.8 Di VC USD G2 lens for full-frame DSLR cameras. The constant f/2.8 aperture makes it even more interesting.
The lens features Dual MPU (Micro Processing Units) to provide rapid autofocusing with improved accuracy and the highest vibration compensation performance of any lens in its class, says the company (CIPA level of 5 stops).
The use of specialized, high quality glass materials (offering greater optical transmittance) for the lens element are said to assure superior colour reproduction and greater sharpness, while the application of Tamron’s nanotechnology-based eBAND Coating substantially curbs the ghosting and flare that are prone to occur in backlit photography, successfully improving the overall optical performance of the lens, Tamron notes. Additionally, the lens provides the added conveniences of protective fluorine coating, moisture-resistant construction and a locking lens hood.
The lens’ optical construction consists of 17 elements in 12 groups using two XR (Extra Refractive Index) elements, three LD (Low Dispersion) elements, three GM (Glass-Molded aspherical), and one hybrid aspherical lens element. Together they are claimed to minimize axial chromatic aberrations, transverse chromatic aberrations, spherical aberrations and distortion, and allow a compact design that achieves superior image quality.
The lens is equipped with Tamron’s VC (Vibration Compensation) system. Adding an MPU dedicated to VC processing unleashes a new-generation algorithm, says Tamron, ensuring the highest vibration compensation ability in the class.
An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses.
The Tamron SP 24-70 mm f/2.8 Di VC USD G2 lens will be available in Canon and Nikon mounts. Nikon mount will be available in August, the Canon mount in September.
- 26.2-megapixel full-frame CMOS sensor
- optical viewfinder with a 45-point All Cross-type AF System
- Dual Pixel CMOS AF with Phase-detection & Full HD 60p
- DIGIC 7 image processor
- ISO 100-40000
- Vari-angle Touch Screen
- 3.0-inch LCD
- Built-in Wi-Fi, NFC, Bluetooth and GPS technology
- High-speed Continuous Shooting at up to 6.5 fps
- dust- and water-resistant
The Canon EOS 6D Mark II is scheduled to be available in early August for an estimated retail price of $2,599.99 for body only; body and Canon EF 24-105 mm f/4L IS USM II lens will be $4,049.99.
Designed for entry-level photographers, the Canon Rebel SL2 DSLR is aimed at those stepping up from a smartphone or point-and-shoot camera. This small yet powerful camera features what’s claimed to be the world’s fastest AF speed at 0.03 seconds, allowing for quick focusing on subjects in the frame.
Canon says that when it was designing the SL2 it took into consideration feedback from entry-level photographers who expressed interest in learning how to go beyond a camera’s program mode. The result, says the company, was the creation of a convenient new user interface called Feature Assistant. With the EOS Rebel SL2 camera, users will be able to see on the camera’s Vari-angle Touch Screen how switching modes on the mode dial or tweaking camera settings like aperture and exposure compensation can alter the image they are about to capture.
The SL2 features several other enhancements over its predecessor model, including:
- 24.2-megapixel CMOS (APS-C) sensor
- Dual Pixel CMOS AF
- 3.0-inch Vari-Angle LCD Touch-Screen
- built-in Wi-Fi, NFC and Bluetooth technology
- Full HD 60p and external microphone input
- DIGIC 7 image processor
- ISO 100-25600
- optical viewfinder with a 9-point AF system
The Canon EOS Rebel SL2 is scheduled to be available in late July for a retail price of $899.99 with the Canon EF-S 18-55 mm f/4-5.6 IS STM lens.
The company says the lens includes “the most advanced optical and mechanical designs,” an HLD (High/Low torque modulated Drive) for the AF system, and Vibration Compensation system.
A new lens barrel design utilizing three-step extensions was developed to enable the necessary elongation to produce a 22.2x zoom ratio. Compared to the conventional approach, the division into a larger number of cams ensures comfortable operation and stability while zooming, Tamron advises.
The power-saving HLD motor produces “outstanding” driving torque, and adjusts motor rotation from low to high speed to enable accurate and quiet focusing. The HLD motor takes up less space thanks to its small size and circular arc shape that allows the size of the lens to be reduced.
The electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.
The lens also features moisture-resistant construction, and the Zoom Lock mechanism prevents undesired movement of the lens barrel under its own weight when the camera is angled downward while walking.
The device is compatible with the TAP-in Console, an optional accessory product. This provides a USB connection to a personal computer, enabling the user to easily update the lens’s firmware as well as to customize features, including fine adjustments to the AF and VC.
The lens is 123.9 mm / 121.4 mm long (Canon/Nikon) and weighs 710 g / 705 g (Canon/Nikon).
Tamron says its 18-400 mm f/3.5-6.3 Di II VC HLD lens in Canon and Nikon mounts will be available in late July.
Zeiss has unveiled a new lens for full-frame DSLR cameras from Canon and Nikon: the Milvus 35 mm f/1.4. The company suggests the lens is “particularly suitable” for portrait photography, but also notes it is “perfectly at home” when used for landscape photography.
The manual focus lens is protected against dust and splashes and features a metal barrel.
With aspherical lens elements, special glass materials and advanced correction, Zeiss says it has given the lens a completely new optical design, delivering photos which are practically free from chromatic aberrations.
The lens, adds the company, is also suitable for film productions: the manual focus with a large rotation angle can be operated with the aid of a Zeiss Lens Gear with a follow-focus system. The de-click function allows the aperture to be set continuously in the version for Nikon cameras. Zeiss also has matched the colour characteristics of the ten Milvus lenses. Filmmakers can therefore switch between the focal lengths and still have a uniform colour look.
The Zeiss Milvus 35 f/1.4 lens will be available in July. No Canadian price has been announced as yet, but its recommended retail price in Europe is 1,999 euros.
Nikon has three new wide-angle Nikkor lenses on the way – the ultra-wide zoom and lightweight DX-format AF-P DX Nikkor 10-20 mm f/4.5-5.6G VR, AF-S Fisheye Nikkor 8-15 mm f/3.5-4.5E ED (FX-format) circular fisheye zoom, and the AF-S Nikkor 28 mm f/1.4E ED. Both the 8-15 mm and 28 mm lenses are the latest additions to the Gold Ring Series of Nikkor lenses, a mark identifying Nikon’s premium lens offerings.
The new 10-20 mm lens is said to combine superior image quality and an attainable price. It features the equivalent of 3.5 stops of Vibration Reduction (VR) performance, utilizes Nikon’s Pulse Motor technology for super-fast and quiet AF operation, and the optical formula contains three aspherical elements for excellent image quality with minimal distortion even at the widest focal length. The lens has a close minimum focusing distance of 8.6 inches (0.22 m).
The 8-15 mm is Nikon’s first fisheye zoom, an FX-format lens providing a 180-degree vertical / horizontal angle of view on full frame cameras, and zooms to a non-circular fisheye view on the long end of the focal range. The lens is constructed of lightweight magnesium alloy and employs internal focusing (IF) to retain its compact size, even while focusing. It is also uses an electromagnetic diaphragm, for consistent exposure during high speed shooting, or smooth exposure control while capturing video.
The optical formula of the 8-15 mm zoom consists of three ED elements to reduce chromatic aberration, and two aspherical lens elements to minimize coma, even at the widest aperture, and enable a more compact lens size. Additionally, the front lens element is coated with Nikon’s non-stick Fluorine coat to help resist dirt, fingerprints and smudge, while Nikon’s exclusive Nano Crystal Coat helps reduce ghost and flare.
The 28 mm lens has a nine blade rounded diaphragm, in a body composed of lightweight magnesium alloy and featuring dust and water drop resistant sealing to withstand the elements, combined with a fluorine coating to resist dirt and smudges. The optical construction consists of 14 elements in nine groups, with three aspherical elements that virtually eliminate coma, aberration and distortion, with two ED glass elements that minimize chromatic aberration, says the company. The lens also uses Nikon’s Nano-crystal coat to reduce instances of ghosting and flare.
The Nikon AF-S Fisheye Nikkor 8-15 mm f/3.5-4.5E ED, AF-P DX Nikkor 10-20 mm f/4.5-5.6G VR, and AF-S Nikkor 28 mm f/1.4E ED will be available in mid-summer for a manufacturer’s suggested retail price (MSRP) of $1699.95, $414.95 and $2699.95, respectively.